{"id":17331,"date":"2018-04-23T09:51:56","date_gmt":"2018-04-23T08:51:56","guid":{"rendered":"https:\/\/www.brasilafro.net\/our-collective\/our-artists\/"},"modified":"2024-03-28T13:59:59","modified_gmt":"2024-03-28T12:59:59","slug":"our-artists","status":"publish","type":"page","link":"https:\/\/www.brasilafro.net\/en\/our-collective\/our-artists\/","title":{"rendered":"Our artists"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"17331\" class=\"elementor elementor-17331 elementor-11669\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ec83f61 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-id=\"ec83f61\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-82fb0fc e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"82fb0fc\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2ef82e4 elementor-widget elementor-widget-text-editor\" data-id=\"2ef82e4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-24a0aa9 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"24a0aa9\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-2042ead elementor-widget elementor-widget-image\" data-id=\"2042ead\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.brasilafro.net\/wp-content\/plugins\/elementor\/assets\/images\/placeholder.png\" title=\"\" alt=\"\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-74f6e0c e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-id=\"74f6e0c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-531039b elementor-widget elementor-widget-image\" data-id=\"531039b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.brasilafro.net\/wp-content\/plugins\/elementor\/assets\/images\/placeholder.png\" title=\"\" alt=\"\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4082fbd e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-id=\"4082fbd\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-213c706 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"213c706\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5d3f194 elementor-widget elementor-widget-image\" data-id=\"5d3f194\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.brasilafro.net\/wp-content\/plugins\/elementor\/assets\/images\/placeholder.png\" title=\"\" alt=\"\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ca7b735 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"ca7b735\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a258a1a elementor-widget elementor-widget-text-editor\" data-id=\"a258a1a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6d3301ab e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-id=\"6d3301ab\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-36ab8d98 elementor-widget elementor-widget-text-editor\" data-id=\"36ab8d98\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t[vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11805&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#douglasmarcolino&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11806&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#florencevincenot&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11801&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#johannaclasse&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11800&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#mestrejota&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11802&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#lydiefruleux&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11804&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#marciamartins&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11803&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#mehdibennadji&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11746&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#robertoartiste&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11745&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#toninhoartiste&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Douglas Marcolino&#8221; color=&#8221;orange&#8221; el_id=&#8221;douglasmarcolino&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11808&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=nyfBJDwj17o&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]<span data-sheets-value=\"{\"1\":2,\"2\":\"Fils du c\u00e9l\u00e8bre accord\u00e9oniste br\u00e9silien Tiao Marcolino, le jeune Douglas s\u2019initie rapidement \u00e0 cet instrument d\u00e8s l\u2019\u00e2ge de 5 ans.\\nOriginaire de l\u2019Etat de Pernambuco au nord-est du Br\u00e9sil, il grandit dans un univers teint\u00e9 de musique populaire qu\u2019il s\u2019attachera \u00e0 cultiver.\\nJeune prodige de l\u2019accord\u00e9on, son talent lui vaudra de participer \u00e0 l\u2019enregistrement de divers disques de son p\u00e8re et de parcourir le Br\u00e9sil avec divers groupes de forr\u00f3. Au cours de ses voyages, il rencontre de nombreux compositeurs instrumentistes (parmi lesquels Dominguinhos, Genaro do Acordeon, Hermeto Pascoal) avec qui il \u00e9changera et d\u00e9veloppera sa musicalit\u00e9.\\n\\nRiche de son exp\u00e9rience, il cr\u00e9\u00e9 en 2004 son propre studio d\u2019enregistrement et enregistre un panel vari\u00e9 de styles musicaux (forro, chorinho, samba, pop, jazz).\\nInvit\u00e9 au \u00ab F\u00f8rde Festivalen \u00bb en Norv\u00e8ge en 2010 (festival de musiques traditionnelles et du monde), il entame d\u00e8s lors une grande tourn\u00e9e internationale qui le m\u00e8nera aussi bien en Europe (France, Allemagne, Portugal) qu\u2019en Afrique (Congo).Un an plus tard, Douglas Marcolino pose ses valises dans le nord de la France o\u00f9 il s\u2019installe et cr\u00e9e avec la chanteuse franco-br\u00e9silienne C\u00e9lia Neusa le spectacle \u00ab Classicos Franceses Em Forr\u00f3 \u00bb.\\nL\u2019accord\u00e9oniste parcourt aujourd\u2019hui le monde entier en promouvant au cours de ses escales la culture br\u00e9silienne aux tonalit\u00e9s musicales du nord-est.\\n\\nDiscipline : Musique\\nMusicien (accord\u00e9oniste)\\n \"}\" data-sheets-userformat=\"{\"2\":12648,\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":1,\"11\":4,\"15\":\"arial,sans,sans-serif\",\"16\":6}\">The son of the famous Brazilian accordionist Tiao Marcolino, young Douglas was quickly introduced to the instrument at the age of 5.\nOriginally from the northeastern Brazilian state of Pernambuco, he grew up in a world tinged with popular music, which he has endeavored to cultivate.\nA young accordion prodigy, his talent earned him a place on several of his father&#8217;s recordings, and he toured Brazil with various forr\u00f3 groups. During his travels, he met many instrumental composers (including Dominguinhos, Genaro do Acordeon, Hermeto Pascoal) with whom he exchanged ideas and developed his musicality.<\/span>\n\nRich in experience, he set up his own recording studio in 2004, recording a wide range of musical styles (forro, chorinho, samba, pop, jazz).\nInvited to Norway&#8217;s &#8220;F\u00f8rde Festivalen&#8221; in 2010 (a festival of traditional and world music), he embarked on a major international tour that took him to Europe (France, Germany, Portugal) and Africa (Congo).A year later, Douglas Marcolino settled in northern France, where he created the &#8220;Classicos Franceses Em Forr\u00f3&#8221; show with Franco-Brazilian singer C\u00e9lia Neusa.\nToday, the accordionist travels the world promoting Brazilian culture with its northeastern musical tones.\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Florence Vincenot&#8221; color=&#8221;orange&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11809&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=BP0cNuoozO4&#8243; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]<span data-sheets-value=\"{\"1\":2,\"2\":\"Pianiste originaire de Guadeloupe, Florence Vincenot \u00e9volue dans un milieu musical \u00e9clectique. Elle appr\u00e9hende naturellement les rythmes carib\u00e9ens mais aussi les musiques des continents am\u00e9ricains.\\nArriv\u00e9e \u00e0 Paris \u00e0 17 ans, elle est d\u2019abord \u00e9l\u00e8ve dans une \u00e9cole de musique, puis y devient enseignante. Elle rencontre de nombreux musiciens avec qui elle collabore et \u00e9crit plusieurs r\u00e9pertoires. Elle se produit dans des sc\u00e8nes telles que les Trois Baudets, le Bataclan ou encore le Festival de jazz de Point-\u00e0-Pitre.\\nLa chanson est son domaine de pr\u00e9dilection parce qu\u2019il s\u2019agit de trouver l\u2019harmonie entre les mots et la musique, deux passions qu\u2019elle ne saurait dissocier. Son jeu pianistique est fortement marqu\u00e9 par ses exp\u00e9riences en tant que side.\\nEn 2010, elle commence \u00e0 chanter et monte \u00e0 Lille.\\nElle y est chanteuse et pianiste. Elle fait \u00e9galement la rencontre de Toninho Almeida, ils \u00e9prouvent des sensibilit\u00e9s communes. Il lui fait d\u00e9couvrir et aimer sa musique. Florence int\u00e8gre donc tout naturellement son groupe, Toninho Almeida and The Three.\\nDiscipline : Musique\\nPianiste\\nMembre de:\\nToninho Almeida and the Three\"}\" data-sheets-userformat=\"{\"2\":12648,\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":1,\"11\":4,\"15\":\"arial,sans,sans-serif\",\"16\":6}\">Pianist Florence Vincenot hails from Guadeloupe, where her musical background is eclectic. She has a natural grasp of Caribbean rhythms, as well as music from the American continents.\nShe arrived in Paris at the age of 17, first as a student at a music school, then as a teacher. She met many musicians with whom she collaborated and wrote several repertoires. She performs at venues such as Les Trois Baudets, Le Bataclan and the Point-\u00e0-Pitre Jazz Festival.\nSong is her favorite domain, because it&#8217;s all about finding the harmony between words and music, two passions she can&#8217;t separate. His piano playing is strongly influenced by his experiences as a sidekick.\nIn 2010, she began singing and moved to Lille.\nShe is a singer and pianist. She also met Toninho Almeida, and they shared a common sensibility. He made her discover and love his music. Florence naturally joined his band, Toninho Almeida and The Three.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Johanna Class&#8221; color=&#8221;orange&#8221; el_id=&#8221;johannaclasse&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11811&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=ySSLtwY7oMc&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]<span data-sheets-value=\"{\"1\":2,\"2\":\"Danseuse de formation contemporaine et africaine, Johanna Classe se professionnalise en 2001 mais continue son apprentissage au Br\u00e9sil : \u00e0 Rio, Salvador et Recife.\\nElle int\u00e8gre l\u2019\u00e9cole Carlinhos de Jesus (Rio) et se forme aux danses traditionnelles inspir\u00e9es du candombl\u00e9 aupr\u00e8s de Rosangela Silvestre et Vera Passos (Salvador).\\nElle participe au carnaval de R\u00e9cife au sein de \u00ab Na\u00e7ao Pernambuco \u00bb, au carnaval de Rio au sein de \u00ab Portela \u00bb et au carnaval de Salvador au sein de la \u00ab Banda Dida \u00bb (percussions dans\u00e9es).\\nEn 2003, elle cr\u00e9e la Cie afro-br\u00e9silienne \u00ab Aqua L R\u00eave \u00bb, qui deviendra Cie \u00ab Biscoitinho \u00bb \u00e0 Lille. En 2004, elle cr\u00e9e la section danse de l\u2019\u00e9cole de samba \u00ab Atabak \u00bb.\\nEn 2006, elle int\u00e8gre la revue 100% Br\u00e9sil au Cabaret Le Pharaon \u00e0 Paris. Entre 2005 et 2010, elle est interpr\u00e8te et assistante-chor\u00e9graphe au sein de la Cie de danse-th\u00e9\u00e2tre Transe Mutants, cr\u00e9\u00e9e au Br\u00e9sil et implant\u00e9e \u00e0 Paris, Turin et Cotonou. Elle participe \u00e0 de nombreuses cr\u00e9ations et contribue \u00e0 la codification du style \u00e9labor\u00e9 par Tristan Edelman.\\nEn 2011, elle obtient le dipl\u00f4me \u00ab 2\u00b0 graduation en Technique Silvestre \u00bb \u2013 \u00e9cole de danse de l\u2019universit\u00e9 de Bahia (FUNCEB) \u2013 ce qui lui permet d\u2019enseigner la technique. Elle dirige ensuite \u00ab Brasil do Norte a Sul \u00bb (voyage musical et dans\u00e9 \u00e0 travers les cultures populaires br\u00e9siliennes).\\nEn 2012, elle initie le projet \u00ab Oyamba \u00bb (groupe f\u00e9minin de percussions afro-br\u00e9siliennes dans\u00e9es).\\nIssue de l\u2019\u00e9cole Jacques Lecoq, elle m\u00e8ne aussi une carri\u00e8re de com\u00e9dienne et exploite des formes de th\u00e9\u00e2tre tr\u00e8s vari\u00e9es. Elle est chor\u00e9graphe ou assistante mise en sc\u00e8ne dans diff\u00e9rentes compagnies de th\u00e9\u00e2tre comme \u00ab Ta Zoa \u00bb (Tourcoing) et \u00ab Vies \u00e0 vies \u00bb (Arras)\\nAu sein du Collectif Brasil Afro Funk, Johanna est danseuse\/chor\u00e9graphe et dispense des cours de danses br\u00e9siliennes.\"}\" data-sheets-userformat=\"{\"2\":12648,\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":1,\"11\":4,\"15\":\"arial,sans,sans-serif\",\"16\":6}\">Trained as a contemporary and African dancer, Johanna Classe turned professional in 2001, but continued her apprenticeship in Brazil: in Rio, Salvador and Recife.\nShe joined the Carlinhos de Jesus school (Rio) and trained in traditional dances inspired by Candombl\u00e9 with Rosangela Silvestre and Vera Passos (Salvador).\nShe takes part in the Recife carnival with &#8220;Na\u00e7ao Pernambuco&#8221;, the Rio carnival with &#8220;Portela&#8221; and the Salvador carnival with &#8220;Banda Dida&#8221; (dance percussion).\nIn 2003, she created the Afro-Brazilian Cie &#8220;Aqua L R\u00eave&#8221;, which later became Cie &#8220;Biscoitinho&#8221; in Lille. In 2004, she created the dance section of the &#8220;Atabak&#8221; samba school.\nIn 2006, she joined the 100% Br\u00e9sil revue at Cabaret Le Pharaon in Paris. Between 2005 and 2010, she was a performer and assistant choreographer with the Transe Mutants dance-theater company, founded in Brazil and based in Paris, Turin and Cotonou. She took part in numerous creations and contributed to the codification of the style developed by Tristan Edelman.\nIn 2011, she obtained the diploma &#8220;2\u00b0 graduation en Technique Silvestre&#8221; &#8211; dance school of the University of Bahia (FUNCEB) &#8211; which allows her to teach the technique. She then directed &#8220;Brasil do Norte a Sul&#8221; (a musical and dance journey through Brazilian popular cultures).\nIn 2012, she launched the &#8220;Oyamba&#8221; project (a women&#8217;s Afro-Brazilian dance percussion group).\nA graduate of the Jacques Lecoq school, she also has a career as an actress, working in a wide variety of theatrical forms. She is a choreographer and assistant director for various theater companies, including Ta Zoa (Tourcoing) and Vies \u00e0 vies (Arras).\n<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Mestre Jota-Jota&#8221; color=&#8221;orange&#8221; el_id=&#8221;mestrejota&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11800&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=u_eUSlLGEL4&#8243; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]\n\n<style type=\"text\/css\"><\/style>\n\n<span data-sheets-value=\"{\"1\":2,\"2\":\"D\u00e8s l\u2019enfance, Jota Jota grandit au coeur de la capoeira et des percussions, dans l\u2019\u00c9tat de Maranhao, au nord-est du Br\u00e9sil. Il d\u00e9bute la pratique de la capoeira en 1987 avec Mestre Evandro.\\nDevenu capoeiriste puis professeur de capoeira en 1995, il commence un travail avec les enfants du quartier o\u00f9 il a commenc\u00e9 la capoeira.\\nEn juin 1999, il se rend pour la premi\u00e8re fois en France ou il r\u00e9alise plusieurs stages et d\u00e9monstrations.\\nEn mai 2000, avec sept autres professeurs, il fonde l\u2019association Na\u00e7\u00e3o Palmares Capoeira et cr\u00e9e cette m\u00eame ann\u00e9e sa premi\u00e8re \u00e9cole en France.\\nEn 2001, il s\u2019installe dans le Nord de la France, et devient un pionnier du d\u00e9veloppement de l\u2019art de la capoeira dans la r\u00e9gion Nord-Pas-de-Calais.\\nEn juillet 2007, \u00e0 l\u2019occasion de la 1\u00e8re Rencontre Internationale Na\u00e7\u00e3o Palmares Capoeira \u00e0 S\u00e3o Luis do Maranh\u00e3o, il re\u00e7oit le grade de Mestre des mains de Mestre Evandro en pr\u00e9sence de plusieurs grands Mestres de la Capoeiragem du Maranh\u00e3o.\\nLe Mestre Jota a \u00e9galement voyag\u00e9 dans d\u2019autres pays d\u2019Europe et des Cara\u00efbes. Il est le coordinateur technique de Na\u00e7\u00e3o Palmares Capoeira et contribue \u00e0 la cr\u00e9ation de plusieurs antennes en France.\\nDiscipline : Musique et Capoeira\\nMusicien (percussionniste) et Capoeiriste (formateur et animateur)\\nMembre de:\\nNacao Palmares Capoeira Lille\"}\" data-sheets-userformat=\"{\"2\":12648,\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":1,\"11\":4,\"15\":\"arial,sans,sans-serif\",\"16\":6}\">As a child, Jota Jota grew up in the heart of capoeira and percussion, in the state of Maranhao, in north-east Brazil. He began practising capoeira in 1987 with Mestre Evandro.\nHe became a capoeirista and capoeira teacher in 1995, and began working with children in the neighborhood where he started capoeira.\nIn June 1999, he travelled to France for the first time, where he carried out several training courses and demonstrations.\nIn May 2000, with seven other teachers, he founded the Na\u00e7\u00e3o Palmares Capoeira association, and that same year set up his first school in France.\nIn 2001, he moved to northern France, and became a pioneer in the development of the art of capoeira in the Nord-Pas-de-Calais region.\nIn July 2007, at the 1st Rencontre Internationale Na\u00e7\u00e3o Palmares Capoeira in S\u00e3o Luis do Maranh\u00e3o, he received the rank of Mestre from Mestre Evandro in the presence of several of Maranh\u00e3o&#8217;s leading Capoeiragem masters.\nMestre Jota has also traveled to other European and Caribbean countries. He is the technical coordinator of Na\u00e7\u00e3o Palmares Capoeira and has helped set up several branches in France.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Lydie Fruleux&#8221; color=&#8221;orange&#8221; el_id=&#8221;lydiefruleux&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11802&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=QFcySg1-WJg&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]<span data-sheets-value=\"{\"1\":2,\"2\":\"Durant l\u2019enfance, Lydie est gymnaste et naturellement elle s\u2019int\u00e9resse \u00e0 la danse. Elle s\u2019oriente vers les danses br\u00e9siliennes pendant ses \u00e9tudes, et aujourd\u2019hui pratique samba, forro, frevo et autres danses populaires et sacr\u00e9es, danse de salon du Br\u00e9sil, mais aussi danse classique, jazz et hip-hop.\\nElle commence sa carri\u00e8re de professionnelle en 2006 lorsqu\u2019elle int\u00e8gre la compagnie br\u00e9silienne Aqua L R\u00eave, puis en cr\u00e9ant Biscoitinho, une association de danse br\u00e9silienne qui se d\u00e9veloppe essentiellement autour du forro.\\nElle rejoint le collectif Brasil Afro Funk en tant que danseuse pour les diff\u00e9rents spectacles, tels que Panorama Brasil ou plus r\u00e9cemment Brasil de Norte a Sul.\\nParall\u00e8lement \u00e0 sa carri\u00e8re d\u2019artiste danseuse, Lydie se rend plusieurs fois au Br\u00e9sil pour se perfectionner davantage. Elle y rencontre Cacau, avec qui elle ouvrira un cours de forro sur Lille, le premier de la r\u00e9gion.\\nAujourd\u2019hui, en plus d\u2019\u00eatre professeur de forro pour Brasil Afro Funk, elle pr\u00e9pare le Dipl\u00f4me d\u2019Etat de professeur de danse, sp\u00e9cialit\u00e9 jazz, depuis 2009. Cette qualification suppl\u00e9mentaire lui permettra d\u2019enseigner au Conservatoire ou \u00eatre chor\u00e9graphe pour diff\u00e9rentes compagnies.\\nDiscipline : Danse et musicienne\\nDanseuse Forr\u00f3\\nMembre de:\\nPanorama Brasil \u2013 Brasil de Norte A Sul\"}\" data-sheets-userformat=\"{\"2\":12648,\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":1,\"11\":4,\"15\":\"arial,sans,sans-serif\",\"16\":6}\">As a child, Lydie was a gymnast and naturally took an interest in dance. She turned to Brazilian dance during her studies, and today practices samba, forro, frevo and other popular and sacred dances, Brazilian ballroom dance, as well as classical dance, jazz and hip-hop.\nShe began her professional career in 2006 when she joined the Brazilian company Aqua L R\u00eave, and then went on to create Biscoitinho, a Brazilian dance association focusing on forro.\nShe joins the Brasil Afro Funk collective as a dancer for various shows, such as Panorama Brasil and more recently Brasil de Norte a Sul.\nIn parallel with her career as a dancer, Lydie travelled several times to Brazil to perfect her skills. There she met Cacau, with whom she opened a forro class in Lille, the first in the region.\nToday, in addition to teaching forro for Brasil Afro Funk, she has been preparing for the Dipl\u00f4me d&#8217;Etat de professeur de danse, specializing in jazz, since 2009. This additional qualification will enable him to teach at the Conservatoire or choreograph for various companies.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Marcia Martins&#8221; color=&#8221;orange&#8221; el_id=&#8221;marciamartins&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11804&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=-CvJrufFeyM&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]Coming soon &#8230;[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Mehdi Bennadji&#8221; color=&#8221;orange&#8221; el_id=&#8221;mehdibennadji&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11803&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=BP0cNuoozO4&#8243; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]<span data-sheets-value=\"{\"1\":2,\"2\":\"Attir\u00e9 d\u00e8s l\u2019adolescence par la musique pop, rock et funk, c\u2019est gr\u00e2ce \u00e0 des artistes tels que Police, Jimi Hendrix, Prince ou Mickael Jackson que Mehdi Bennadji d\u00e9cide de prendre des cours de batterie.\\nIl souhaite en savoir davantage et ne pas se cantonner \u00e0 un seul instrument, c\u2019est donc en autodidacte qu\u2019il apprendra \u00e0 jouer de la guitare et de la basse.\\nTr\u00e8s vite, il participe \u00e0 diff\u00e9rentes exp\u00e9riences dans le Nord comme Fel Fel Brothers, un combo m\u00e9langeant rock, reggae, gospel et funk, ou Hanini, aux sonorit\u00e9s nord-africaines.\\nPuis ce touche-\u00e0-tout encha\u00eene avec de la musique carib\u00e9enne (zouk, biguine, salsa) dans Les Aliz\u00e9s Steel Band et s\u2019engouffre dans les musiques tziganes, d\u2019Europe de l\u2019est et des balkans avec les formations tels que Le Global, Taraf D\u00e9kal\u00e9 et La Compagnie du Tire-Laine.\\nSur sa route, il fait la rencontre de Toninho Almeida qui ne le laisse pas indiff\u00e9rent. C\u2019est ainsi qu\u2019il entreprend une nouvelle \u00e9tape musicale dans la musique br\u00e9silienne en collaborant avec lui au sein du groupe Toninho Almeida and The Three.\\nDiscipline : Musique\\nBatteur\\nMembre de:\\nToninho Almeida and the Three\"}\" data-sheets-userformat=\"{\"2\":12648,\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":1,\"11\":4,\"15\":\"arial,sans,sans-serif\",\"16\":6}\">Attracted to pop, rock and funk music as a teenager, it was thanks to artists such as Police, Jimi Hendrix, Prince and Michael Jackson that Mehdi Bennadji decided to take drumming lessons.\nHe wanted to learn more and not be confined to a single instrument, so he taught himself to play guitar and bass.\nBefore long, he was involved in various experiments in the North, such as Fel Fel Brothers, a combo mixing rock, reggae, gospel and funk, and Hanini, with its North African sounds.\nThis jack-of-all-trades then moved on to Caribbean music (zouk, biguine, salsa) with Les Aliz\u00e9s Steel Band, and delved into Gypsy, Eastern European and Balkan music with groups such as Le Global, Taraf D\u00e9kal\u00e9 and La Compagnie du Tire-Laine.\nAlong the way, he meets Toninho Almeida, who does not leave him indifferent. So it was that he embarked on a new musical stage in Brazilian music, collaborating with him in the group Toninho Almeida and The Three.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Roberto De Oliveira&#8221; color=&#8221;orange&#8221; el_id=&#8221;robertoartiste&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11746&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=oLnkv_CuOvA&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]<span data-sheets-value=\"{\"1\":2,\"2\":\"D\u00e8s son plus jeune \u00e2ge, Roberto s\u2019initie \u00e0 des \u00e9tudes musicales et se sp\u00e9cialise dans l\u2019instrumentation et l\u2019orchestration musicale. Plus tard il suit des cours de musico-th\u00e9rapie ainsi que de musicalisation infantile pour devenir professeur d\u2019Art, Education et Musicalisation Infantile.\\nSa pratique et ma\u00eetrise de plusieurs instruments de musique lui permettent d\u2019acc\u00e9der \u00e0 l\u2019Orchestre Philharmonique de l\u2019Etat du Ceara et \u00e0 l\u2019Ordre des Musiciens du Br\u00e9sil en tant que multi-instrumentiste (trombone, trompette, cavaquinho (petite guitare), guitare et basse).\\nEn tant que membre de plusieurs grands groupes musicaux br\u00e9siliens, il a l\u2019occasion de partager la sc\u00e8ne avec divers artistes \u00e0 renomm\u00e9e internationale.\\nSon ballet Art Populaire de Fortaleza a repr\u00e9sent\u00e9 le Br\u00e9sil durant six Festivals de Folklore du Monde en France o\u00f9 il fait la connaissance du chanteur et compositeur Toninho Almeida qui l\u2019invite \u00e0 assumer la fonction de directeur musical du collectif Brasil Afro Funk.\\nAujourd\u2019hui il d\u00e9veloppe le premier atelier de musique populaire br\u00e9silienne, appel\u00e9e \u00ab choro \u00bb, dans la r\u00e9gion Nord Pas de Calais et est \u00e0 l\u2019origine du spectacle musical dans\u00e9 Brasil de Norte A Sul.\\nFin 2013-d\u00e9but2014, Roberto a pu r\u00e9aliser une p\u00e9riode de r\u00e9sidence d\u2019artiste sur le territoire de la Communaut\u00e9 de communes du Coeur d\u2019Ostrevent. Un travail de terrain tr\u00e8s int\u00e9ressant r\u00e9alis\u00e9 aupr\u00e8s des harmonies du territoire sur des r\u00e9pertoires de musique populaires br\u00e9siliennes (surtout le Frevo) et aupr\u00e8s du grand public de 5 communes. Une exp\u00e9rience riche en \u00e9motions!\\nDiscipline : Musique\\nMusicien (cordes, percussions, voix) et formateur\\nMembre de:\\nToninho Almeida and the Three, Brasil de Norte a Sul, Choro Braseiro\"}\" data-sheets-userformat=\"{\"2\":12648,\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":1,\"11\":4,\"15\":\"arial,sans,sans-serif\",\"16\":6}\">From an early age, Roberto began studying music, specializing in instrumentation and orchestration. He later took courses in music therapy and children&#8217;s musicalization to become a teacher of Art, Education and Children&#8217;s Musicalization.\nHis practice and mastery of several musical instruments enabled him to join the Ceara State Philharmonic Orchestra and the Brazilian Order of Musicians as a multi-instrumentalist (trombone, trumpet, cavaquinho (small guitar), guitar and bass).\nAs a member of several major Brazilian musical groups, he has had the opportunity to share the stage with a variety of internationally renowned artists.\nHis ballet Art Populaire de Fortaleza represented Brazil at six Festivals de Folklore du Monde in France, where he met singer and composer Toninho Almeida, who invited him to take on the role of musical director of the Brasil Afro Funk collective.\nToday, he is developing the first workshop for popular Brazilian music, known as &#8220;choro&#8221;, in the Nord Pas de Calais region, and is behind the musical dance show Brasil de Norte A Sul.\nAt the end of 2013-beginning of 2014, Roberto was able to carry out a period of artist residency on the territory of the Communaut\u00e9 de communes du Coeur d&#8217;Ostrevent. Very interesting fieldwork carried out with local brass bands on Brazilian popular music repertoires (especially Frevo) and with the general public in 5 communes. An experience rich in emotions!<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Toninho Almeida&#8221; color=&#8221;orange&#8221; el_id=&#8221;toninhoartiste&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11745&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=976rrL67wBU&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]\n\n<style type=\"text\/css\"><\/style>\n\n<span data-sheets-value=\"{\"1\":2,\"2\":\" N\u00e9 \u00e0 Euclide da Cunha, petite ville de l\u2019Etat de Bahia au Br\u00e9sil, Toninho Almeida a \u00e9t\u00e9 berc\u00e9 par la musique des bals populaires locaux.\\n\u00c0 l\u2019\u00e2ge de 17 ans, il d\u00e9couvre les cultures urbaines \u00e0 Rio de Janeiro. Il ach\u00e8te sa premi\u00e8re guitare et r\u00e9alise ses premi\u00e8res compositions.\\nArriv\u00e9 \u00e0 Sao Paulo, ce touche-\u00e0-tout publie un recueil de po\u00e8mes A vida de querer via. Il joue au th\u00e9\u00e2tre et fait de nombreuses premi\u00e8res parties, dont celle de Gilberto Gil.\\nToninho entre ensuite de plein pied dans la musique \u00e0 Salvador de Bahia. Il s\u2019inscrit \u00e0 l\u2019Acad\u00e9mie de Musique Actuelle o\u00f9 il finira par enseigner. Il cr\u00e9e et dirige alors son dernier concert au Br\u00e9sil, Pi\u00e8ge.\\nArriv\u00e9 en Europe, ses nombreuses rencontres artistiques et musicales donnent naissance \u00e0 la formation musicale Mundo\u2019s Band et aux albums Violeta 41 (2001), Remix Violeta 41 (2003) et Mitade (2004).\\nEn 2005, Toninho se prend de passion pour un nouvel instrument, le cavaquinho, une petite guitare br\u00e9silienne \u00e0 quatre cordes. Une nouvelle aventure musicale commence alors avec Samba de Bamba. Un nouvel album auto produit,Intactos, est en cours de pr\u00e9paration.\\nDiscipline : Musique\\nMusicien (cordes, percussions, voix) et formateur\\n\\nDeu Forro no samba, Autoproduit, 2012\\nMitade, Autoproduit, 2004\\nRemix Violeta 41, Autoproduit, 2003\\nVioleta 41, Autoproduit, 2000\\n\\n\\n\\n\"}\" data-sheets-userformat=\"{\"2\":12648,\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":1,\"11\":4,\"15\":\"arial,sans,sans-serif\",\"16\":6}\">  Born in Euclide da Cunha, a small town in the Brazilian state of Bahia, Toninho Almeida was brought up on the music of local folk dances.\nAt the age of 17, he discovered urban cultures in Rio de Janeiro. He buys his first guitar and writes his first compositions.\nAfter arriving in Sao Paulo, this jack-of-all-trades published a collection of poems, A vida de querer via. He performs in the theater and opens for many artists, including Gilberto Gil.\nToninho then entered the music business in Salvador de Bahia. He enrolled at the Acad\u00e9mie de Musique Actuelle, where he ended up teaching. He then created and directed his last concert in Brazil, Pi\u00e8ge.\nAfter arriving in Europe, his many artistic and musical encounters gave rise to the musical group Mundo&#8217;s Band and the albums Violeta 41 (2001), Remix Violeta 41 (2003) and Mitade (2004).\nIn 2005, Toninho fell in love with a new instrument, the cavaquinho, a small four-stringed Brazilian guitar. A new musical adventure began with Samba de Bamba. A new self-produced album, Intact, has just been released.\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row]\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. [vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11805&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#douglasmarcolino&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11806&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#florencevincenot&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11801&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#johannaclasse&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11800&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#mestrejota&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11802&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#lydiefruleux&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11804&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#marciamartins&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11803&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#mehdibennadji&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11746&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#robertoartiste&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11745&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#toninhoartiste&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Douglas Marcolino&#8221; color=&#8221;orange&#8221; el_id=&#8221;douglasmarcolino&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11808&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=nyfBJDwj17o&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]The son of the famous Brazilian accordionist Tiao Marcolino, young Douglas was quickly introduced to the instrument at the age of 5. Originally from the northeastern Brazilian state of Pernambuco, he grew up in a world tinged with popular music, which he has endeavored to cultivate. A young accordion prodigy, his talent earned him a place on several of his father&#8217;s recordings, and he toured Brazil with various forr\u00f3 groups. During his travels, he met many instrumental composers (including Dominguinhos, Genaro do Acordeon, Hermeto Pascoal) with whom he exchanged ideas and developed his musicality. Rich in experience, he set up his own recording studio in 2004, recording a wide range of musical styles (forro, chorinho, samba, pop, jazz). Invited to Norway&#8217;s &#8220;F\u00f8rde Festivalen&#8221; in 2010 (a festival of traditional and world music), he embarked on a major international tour that took him to Europe (France, Germany, Portugal) and Africa (Congo).A year later, Douglas Marcolino settled in northern France, where he created the &#8220;Classicos Franceses Em Forr\u00f3&#8221; show with Franco-Brazilian singer C\u00e9lia Neusa. Today, the accordionist travels the world promoting Brazilian culture with its northeastern musical tones. [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Florence Vincenot&#8221; color=&#8221;orange&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11809&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=BP0cNuoozO4&#8243; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Pianist Florence Vincenot hails from Guadeloupe, where her musical background is eclectic. She has a natural grasp of Caribbean rhythms, as well as music from the American continents. She arrived in Paris at the age of 17, first as a student at a music school, then as a teacher. She met many musicians with whom she collaborated and wrote several repertoires. She performs at venues such as Les Trois Baudets, Le Bataclan and the Point-\u00e0-Pitre Jazz Festival. Song is her favorite domain, because it&#8217;s all about finding the harmony between words and music, two passions she can&#8217;t separate. His piano playing is strongly influenced by his experiences as a sidekick. In 2010, she began singing and moved to Lille. She is a singer and pianist. She also met Toninho Almeida, and they shared a common sensibility. He made her discover and love his music. Florence naturally joined his band, Toninho Almeida and The Three.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Johanna Class&#8221; color=&#8221;orange&#8221; el_id=&#8221;johannaclasse&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11811&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=ySSLtwY7oMc&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Trained as a contemporary and African dancer, Johanna Classe turned professional in 2001, but continued her apprenticeship in Brazil: in Rio, Salvador and Recife. She joined the Carlinhos de Jesus school (Rio) and trained in traditional dances inspired by Candombl\u00e9 with Rosangela Silvestre and Vera Passos (Salvador). She takes part in the Recife carnival with &#8220;Na\u00e7ao Pernambuco&#8221;, the Rio carnival with &#8220;Portela&#8221; and the Salvador carnival with &#8220;Banda Dida&#8221; (dance percussion). In 2003, she created the Afro-Brazilian Cie &#8220;Aqua L R\u00eave&#8221;, which later became Cie &#8220;Biscoitinho&#8221; in Lille. In 2004, she created the dance section of the &#8220;Atabak&#8221; samba school. In 2006, she joined the 100% Br\u00e9sil revue at Cabaret Le Pharaon in Paris. Between 2005 and 2010, she was a performer and assistant choreographer with the Transe Mutants dance-theater company, founded in Brazil and based in Paris, Turin and Cotonou. She took part in numerous creations and contributed to the codification of the style developed by Tristan Edelman. In 2011, she obtained the diploma &#8220;2\u00b0 graduation en Technique Silvestre&#8221; &#8211; dance school of the University of Bahia (FUNCEB) &#8211; which allows her to teach the technique. She then directed &#8220;Brasil do Norte a Sul&#8221; (a musical and dance journey through Brazilian popular cultures). In 2012, she launched the &#8220;Oyamba&#8221; project (a women&#8217;s Afro-Brazilian dance percussion group). A graduate of the Jacques Lecoq school, she also has a career as an actress, working in a wide variety of theatrical forms. She is a choreographer and assistant director for various theater companies, including Ta Zoa (Tourcoing) and Vies \u00e0 vies (Arras). [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Mestre Jota-Jota&#8221; color=&#8221;orange&#8221; el_id=&#8221;mestrejota&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11800&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=u_eUSlLGEL4&#8243; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text] As a child, Jota Jota grew up in the heart of capoeira and percussion, in the state of Maranhao, in north-east Brazil. He began practising capoeira in 1987 with Mestre Evandro. He became a capoeirista and capoeira teacher in 1995, and began working with children in the neighborhood where he started capoeira. In June 1999, he travelled to France for the first time, where he carried out several training courses and demonstrations. In May 2000, with seven other teachers, he founded the Na\u00e7\u00e3o Palmares Capoeira association, and that same year set up his first school in France. In 2001, he moved to northern France, and became a pioneer in the development of the art of capoeira in the Nord-Pas-de-Calais region. In July 2007, at the 1st Rencontre Internationale Na\u00e7\u00e3o Palmares Capoeira in S\u00e3o Luis do Maranh\u00e3o, he received the rank of Mestre from Mestre Evandro in the presence of several of Maranh\u00e3o&#8217;s leading Capoeiragem masters. Mestre Jota has also traveled to other European and Caribbean countries. He is the technical coordinator of Na\u00e7\u00e3o Palmares Capoeira and has helped set up several branches in France.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Lydie Fruleux&#8221; color=&#8221;orange&#8221; el_id=&#8221;lydiefruleux&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11802&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=QFcySg1-WJg&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]As a child, Lydie was a gymnast and naturally took an interest in dance. She turned to Brazilian dance during her studies, and today practices samba, forro, frevo and other popular and sacred dances, Brazilian ballroom dance, as well as classical dance, jazz and hip-hop. She began her professional career in 2006 when<\/p>\n","protected":false},"author":120,"featured_media":0,"parent":17307,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-17331","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Our artists - Brasil Afro Funk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.brasilafro.net\/en\/our-collective\/our-artists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Our artists\" \/>\n<meta property=\"og:description\" content=\"Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. [vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11805&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#douglasmarcolino&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11806&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#florencevincenot&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11801&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#johannaclasse&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11800&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#mestrejota&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11802&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#lydiefruleux&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11804&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#marciamartins&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11803&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#mehdibennadji&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11746&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#robertoartiste&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11745&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#toninhoartiste&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Douglas Marcolino&#8221; color=&#8221;orange&#8221; el_id=&#8221;douglasmarcolino&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11808&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=nyfBJDwj17o&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]The son of the famous Brazilian accordionist Tiao Marcolino, young Douglas was quickly introduced to the instrument at the age of 5. Originally from the northeastern Brazilian state of Pernambuco, he grew up in a world tinged with popular music, which he has endeavored to cultivate. A young accordion prodigy, his talent earned him a place on several of his father&#8217;s recordings, and he toured Brazil with various forr\u00f3 groups. During his travels, he met many instrumental composers (including Dominguinhos, Genaro do Acordeon, Hermeto Pascoal) with whom he exchanged ideas and developed his musicality. Rich in experience, he set up his own recording studio in 2004, recording a wide range of musical styles (forro, chorinho, samba, pop, jazz). Invited to Norway&#8217;s &#8220;F\u00f8rde Festivalen&#8221; in 2010 (a festival of traditional and world music), he embarked on a major international tour that took him to Europe (France, Germany, Portugal) and Africa (Congo).A year later, Douglas Marcolino settled in northern France, where he created the &#8220;Classicos Franceses Em Forr\u00f3&#8221; show with Franco-Brazilian singer C\u00e9lia Neusa. Today, the accordionist travels the world promoting Brazilian culture with its northeastern musical tones. [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Florence Vincenot&#8221; color=&#8221;orange&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11809&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=BP0cNuoozO4&#8243; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Pianist Florence Vincenot hails from Guadeloupe, where her musical background is eclectic. She has a natural grasp of Caribbean rhythms, as well as music from the American continents. She arrived in Paris at the age of 17, first as a student at a music school, then as a teacher. She met many musicians with whom she collaborated and wrote several repertoires. She performs at venues such as Les Trois Baudets, Le Bataclan and the Point-\u00e0-Pitre Jazz Festival. Song is her favorite domain, because it&#8217;s all about finding the harmony between words and music, two passions she can&#8217;t separate. His piano playing is strongly influenced by his experiences as a sidekick. In 2010, she began singing and moved to Lille. She is a singer and pianist. She also met Toninho Almeida, and they shared a common sensibility. He made her discover and love his music. Florence naturally joined his band, Toninho Almeida and The Three.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Johanna Class&#8221; color=&#8221;orange&#8221; el_id=&#8221;johannaclasse&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11811&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=ySSLtwY7oMc&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Trained as a contemporary and African dancer, Johanna Classe turned professional in 2001, but continued her apprenticeship in Brazil: in Rio, Salvador and Recife. She joined the Carlinhos de Jesus school (Rio) and trained in traditional dances inspired by Candombl\u00e9 with Rosangela Silvestre and Vera Passos (Salvador). She takes part in the Recife carnival with &#8220;Na\u00e7ao Pernambuco&#8221;, the Rio carnival with &#8220;Portela&#8221; and the Salvador carnival with &#8220;Banda Dida&#8221; (dance percussion). In 2003, she created the Afro-Brazilian Cie &#8220;Aqua L R\u00eave&#8221;, which later became Cie &#8220;Biscoitinho&#8221; in Lille. In 2004, she created the dance section of the &#8220;Atabak&#8221; samba school. In 2006, she joined the 100% Br\u00e9sil revue at Cabaret Le Pharaon in Paris. Between 2005 and 2010, she was a performer and assistant choreographer with the Transe Mutants dance-theater company, founded in Brazil and based in Paris, Turin and Cotonou. She took part in numerous creations and contributed to the codification of the style developed by Tristan Edelman. In 2011, she obtained the diploma &#8220;2\u00b0 graduation en Technique Silvestre&#8221; &#8211; dance school of the University of Bahia (FUNCEB) &#8211; which allows her to teach the technique. She then directed &#8220;Brasil do Norte a Sul&#8221; (a musical and dance journey through Brazilian popular cultures). In 2012, she launched the &#8220;Oyamba&#8221; project (a women&#8217;s Afro-Brazilian dance percussion group). A graduate of the Jacques Lecoq school, she also has a career as an actress, working in a wide variety of theatrical forms. She is a choreographer and assistant director for various theater companies, including Ta Zoa (Tourcoing) and Vies \u00e0 vies (Arras). [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Mestre Jota-Jota&#8221; color=&#8221;orange&#8221; el_id=&#8221;mestrejota&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11800&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=u_eUSlLGEL4&#8243; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text] As a child, Jota Jota grew up in the heart of capoeira and percussion, in the state of Maranhao, in north-east Brazil. He began practising capoeira in 1987 with Mestre Evandro. He became a capoeirista and capoeira teacher in 1995, and began working with children in the neighborhood where he started capoeira. In June 1999, he travelled to France for the first time, where he carried out several training courses and demonstrations. In May 2000, with seven other teachers, he founded the Na\u00e7\u00e3o Palmares Capoeira association, and that same year set up his first school in France. In 2001, he moved to northern France, and became a pioneer in the development of the art of capoeira in the Nord-Pas-de-Calais region. In July 2007, at the 1st Rencontre Internationale Na\u00e7\u00e3o Palmares Capoeira in S\u00e3o Luis do Maranh\u00e3o, he received the rank of Mestre from Mestre Evandro in the presence of several of Maranh\u00e3o&#8217;s leading Capoeiragem masters. Mestre Jota has also traveled to other European and Caribbean countries. He is the technical coordinator of Na\u00e7\u00e3o Palmares Capoeira and has helped set up several branches in France.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Lydie Fruleux&#8221; color=&#8221;orange&#8221; el_id=&#8221;lydiefruleux&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11802&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=QFcySg1-WJg&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]As a child, Lydie was a gymnast and naturally took an interest in dance. She turned to Brazilian dance during her studies, and today practices samba, forro, frevo and other popular and sacred dances, Brazilian ballroom dance, as well as classical dance, jazz and hip-hop. 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Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. [vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11805&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#douglasmarcolino&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11806&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#florencevincenot&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11801&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#johannaclasse&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11800&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#mestrejota&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11802&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#lydiefruleux&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11804&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#marciamartins&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11803&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#mehdibennadji&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11746&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#robertoartiste&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11745&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;custom_link&#8221; link=&#8221;#toninhoartiste&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Douglas Marcolino&#8221; color=&#8221;orange&#8221; el_id=&#8221;douglasmarcolino&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11808&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=nyfBJDwj17o&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]The son of the famous Brazilian accordionist Tiao Marcolino, young Douglas was quickly introduced to the instrument at the age of 5. Originally from the northeastern Brazilian state of Pernambuco, he grew up in a world tinged with popular music, which he has endeavored to cultivate. A young accordion prodigy, his talent earned him a place on several of his father&#8217;s recordings, and he toured Brazil with various forr\u00f3 groups. During his travels, he met many instrumental composers (including Dominguinhos, Genaro do Acordeon, Hermeto Pascoal) with whom he exchanged ideas and developed his musicality. Rich in experience, he set up his own recording studio in 2004, recording a wide range of musical styles (forro, chorinho, samba, pop, jazz). Invited to Norway&#8217;s &#8220;F\u00f8rde Festivalen&#8221; in 2010 (a festival of traditional and world music), he embarked on a major international tour that took him to Europe (France, Germany, Portugal) and Africa (Congo).A year later, Douglas Marcolino settled in northern France, where he created the &#8220;Classicos Franceses Em Forr\u00f3&#8221; show with Franco-Brazilian singer C\u00e9lia Neusa. Today, the accordionist travels the world promoting Brazilian culture with its northeastern musical tones. [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Florence Vincenot&#8221; color=&#8221;orange&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11809&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=BP0cNuoozO4&#8243; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Pianist Florence Vincenot hails from Guadeloupe, where her musical background is eclectic. She has a natural grasp of Caribbean rhythms, as well as music from the American continents. She arrived in Paris at the age of 17, first as a student at a music school, then as a teacher. She met many musicians with whom she collaborated and wrote several repertoires. She performs at venues such as Les Trois Baudets, Le Bataclan and the Point-\u00e0-Pitre Jazz Festival. Song is her favorite domain, because it&#8217;s all about finding the harmony between words and music, two passions she can&#8217;t separate. His piano playing is strongly influenced by his experiences as a sidekick. In 2010, she began singing and moved to Lille. She is a singer and pianist. She also met Toninho Almeida, and they shared a common sensibility. He made her discover and love his music. Florence naturally joined his band, Toninho Almeida and The Three.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Johanna Class&#8221; color=&#8221;orange&#8221; el_id=&#8221;johannaclasse&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11811&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=ySSLtwY7oMc&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Trained as a contemporary and African dancer, Johanna Classe turned professional in 2001, but continued her apprenticeship in Brazil: in Rio, Salvador and Recife. She joined the Carlinhos de Jesus school (Rio) and trained in traditional dances inspired by Candombl\u00e9 with Rosangela Silvestre and Vera Passos (Salvador). She takes part in the Recife carnival with &#8220;Na\u00e7ao Pernambuco&#8221;, the Rio carnival with &#8220;Portela&#8221; and the Salvador carnival with &#8220;Banda Dida&#8221; (dance percussion). In 2003, she created the Afro-Brazilian Cie &#8220;Aqua L R\u00eave&#8221;, which later became Cie &#8220;Biscoitinho&#8221; in Lille. In 2004, she created the dance section of the &#8220;Atabak&#8221; samba school. In 2006, she joined the 100% Br\u00e9sil revue at Cabaret Le Pharaon in Paris. Between 2005 and 2010, she was a performer and assistant choreographer with the Transe Mutants dance-theater company, founded in Brazil and based in Paris, Turin and Cotonou. She took part in numerous creations and contributed to the codification of the style developed by Tristan Edelman. In 2011, she obtained the diploma &#8220;2\u00b0 graduation en Technique Silvestre&#8221; &#8211; dance school of the University of Bahia (FUNCEB) &#8211; which allows her to teach the technique. She then directed &#8220;Brasil do Norte a Sul&#8221; (a musical and dance journey through Brazilian popular cultures). In 2012, she launched the &#8220;Oyamba&#8221; project (a women&#8217;s Afro-Brazilian dance percussion group). A graduate of the Jacques Lecoq school, she also has a career as an actress, working in a wide variety of theatrical forms. She is a choreographer and assistant director for various theater companies, including Ta Zoa (Tourcoing) and Vies \u00e0 vies (Arras). [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Mestre Jota-Jota&#8221; color=&#8221;orange&#8221; el_id=&#8221;mestrejota&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11800&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=u_eUSlLGEL4&#8243; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text] As a child, Jota Jota grew up in the heart of capoeira and percussion, in the state of Maranhao, in north-east Brazil. He began practising capoeira in 1987 with Mestre Evandro. He became a capoeirista and capoeira teacher in 1995, and began working with children in the neighborhood where he started capoeira. In June 1999, he travelled to France for the first time, where he carried out several training courses and demonstrations. In May 2000, with seven other teachers, he founded the Na\u00e7\u00e3o Palmares Capoeira association, and that same year set up his first school in France. In 2001, he moved to northern France, and became a pioneer in the development of the art of capoeira in the Nord-Pas-de-Calais region. In July 2007, at the 1st Rencontre Internationale Na\u00e7\u00e3o Palmares Capoeira in S\u00e3o Luis do Maranh\u00e3o, he received the rank of Mestre from Mestre Evandro in the presence of several of Maranh\u00e3o&#8217;s leading Capoeiragem masters. Mestre Jota has also traveled to other European and Caribbean countries. He is the technical coordinator of Na\u00e7\u00e3o Palmares Capoeira and has helped set up several branches in France.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Lydie Fruleux&#8221; color=&#8221;orange&#8221; el_id=&#8221;lydiefruleux&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11802&#8243; img_size=&#8221;300*300&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=QFcySg1-WJg&#8221; el_width=&#8221;70&#8243; align=&#8221;center&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]As a child, Lydie was a gymnast and naturally took an interest in dance. She turned to Brazilian dance during her studies, and today practices samba, forro, frevo and other popular and sacred dances, Brazilian ballroom dance, as well as classical dance, jazz and hip-hop. 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